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Blissfully Grateful

archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]
archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.
Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.
[via Lost At E Minor]

archiemcphee:

These awesome illuminated inflatable white rabbits are the work of Australian artist Amanda Parer for an installation entitled Intrude. In May 2014 the giant glowing bunnies were installed at the Vivid Festival of Light Sydney and next month they’ll be part of the Junction Arts Festival in Launceston, Tasmania.

Parer’s enormous and radiant rabbits, which stand 7 meters (~23 feet) tall, were created as a twofold response to the animals’ common occurrence in Australian fairytales as well as their invasive presence throughout Australia:

"These animals first travelled to Australia on the ships of the First Fleet and were brought ashore in cages in January 1788. These adaptable creatures quickly made themselves at home and eventually spread to almost every corner of the land. An Australian contradiction, Intrude represents the fairy-tale animals of our childhood – a furry innocence, frolicking through idyllic fields, while revealing their more serious and large-scale effect on the environment.”

Click here for additional images.

[via Lost At E Minor]

(via from89)

archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]
archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.
Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.
[via Beautiful/Decay and Demilked]

archiemcphee:

Today the Department of Beguiling Book Art explores the exquisite work of New York-based artist Brian Dettmer, a self-described Book Surgeon, who uses knives, tweezers and surgical tools to transform old books into amazing, multi-layered sculptures. Taking one page at a time, Dettmer painstakingly carves out illustrations and text from old medical journals, dictionaries, atlases, encyclopedias and other beautifully illustrated books. Nothing is ever added or rearranged, only removed. The pages and spines of the books are manipulated to further shape the book sculptures. He also combines multiple books, folding, bending, rolling and stacking them to create larger and even more complex sculptural forms.

Dettmer views his artwork as an intensive collaboration with the existing material:

“Images and ideas are revealed to expose alternate histories and memories, ” explains Dettmer in the artist’s statement. “My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.”

Visit Brian Dettmer’s website to check out more of his astonishing book book sculptures.

[via Beautiful/Decay and Demilked]

turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.
Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.
turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.
Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.
turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.
Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.
turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.
Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.
turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.
Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.
turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.
Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.

turecepcja:

Cloud Cities - installation by Tomás Saraceno In Berlin’s Hamburger Bahnhof.

Saraceno has installed over 20 huge spheres suspended at different heights in a network of black mesh.  Within each orb is a different organic material like water or plants or air.  This work is inspired by soap bubbles and spider webs (and the interaction and juxtaposition).  We think of those two items as fragile and delicate, but they are actually extremely flexible and (for the material) super strong.

(via from89)

archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.
For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle​ over on Twitter. You’re guaranteed many a good giggle.
[via io9]
archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.
For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle​ over on Twitter. You’re guaranteed many a good giggle.
[via io9]
archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.
For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle​ over on Twitter. You’re guaranteed many a good giggle.
[via io9]
archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.
For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle​ over on Twitter. You’re guaranteed many a good giggle.
[via io9]
archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.
For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle​ over on Twitter. You’re guaranteed many a good giggle.
[via io9]
archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.
For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle​ over on Twitter. You’re guaranteed many a good giggle.
[via io9]

archiemcphee:

Thanks to an awesome visionary known only as the GIGABEETLE, we’re learning that, when he isn’t busy battling Kaiju, Godzilla has a very active social life. There’s cosplay and gaming and dancing and coloring and exercising and so much more.

For plenty more goofy Godzilla goodness follow GIGABEETLE right here on Tumblr at gigabeetle over on Twitter. You’re guaranteed many a good giggle.

[via io9]

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